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Tnofficial fansite for English actress Jane Asher, one of the most beautiful muses from the 20th century. In this site you will find many SCREEN CAPTURES from her acting career spanning over 70 years, documentaries and much more!

Friday, 15 January 2016

Adventure in the Hopfields, 1954

Popular British juvenile star Mandy Miller (also seen in "Mandy" aka "Crash of Silence") carries the dramatic weight of "Adventure in the Hopfields" on her firm little shoulders.
After breaking one of her mother's prize pieces of bric-a-brac, Jenny Quin (Mandy Miller) must scrimp and save to pay for a replacement. A group of tough kids steal her money, tie her up and leave her in a decrepit old mill. The junior-grade crooks turn heroes when they rescue her during a violent electrical storm.

Surprisingly tense for a kiddie-matinee feature, "Adventure in the Hopfields" was based on "The Hop Dog", a book by Nora Lavin and Molly Thorp.
Directed by John Guillermin, the film was lost and then rescued by a man in Chicago when he saw a television station worker dumping reels in a rubbish bin.

Jane Asher recalls: "I can't remember what role I played, though I don't think it was a large one. What I do remember is the wonderful feeling that we were all on holiday while we were making it, because, of course, of all the people that were on holiday in the hopfields while we were filming. The other thing I remember, of course is the rich smell of hops. It's probably why I'm such a heavy drinker now."

In the 62-minute film made by the Children's Film Foundation in Goudhurst, Kent, Jane Asher (aged 8) is one of the McBain children, in an uncredited role. In her scene, she and her friends see Jenny run and follow her to see what she's up to. When Jenny encounters a duo up to no good (one of them is actor Melvin Mayes) they help her to runaway from them.

The screencaps are made by me from a poor-quality video uploaded at youtube, and the watermarks are necessary because of screen copying for web use without permission or credits. 















































































































Monday, 4 January 2016

So It Goes...: Jane Asher in Hazell, 1978

 * Please, notice, this is a reblog from the So It Goes... blogspot*

Jane Asher in Hazell, 1978

Bit of a shout out to the excellent Jane Asher Source Blogspot here, with a few screencaps of Jane's guest appearance in the very first episode of Gordon Williams and Terry Venables London private eye drama, Hazell.



Entitled Hazell Plays Solomon and broadcast on 16th January 1978, our hero, played by Nicholas Ball (pictured with Jane) finds himself caught up in a tricky tug-of-love case when Jane's character arrives from America with the belief that a couple's daughter is actually her child and that the hospital mistakenly switched them at birth.




It's one of Jane's more brittle portrayals; her character starts out a tough no-nonsense whiny sounding, successful American from Bel Air but it turns out that this exterior (and slightly unbelievable accent) is a bit of a false facade as she's originally a working class Londoner who has married well. She informs Hazell that her own daughter had recently been involved in a car accident and the bloods of the child and Jane and her husband don't match and are biologically impossible. Adding to this evidence is the fact that the child she suspect is really hers has the same red hair that Jane does too - cue her revealing her famous locks by whipping off the rather unflattering turban she had been wearing up until that point. It's always good to see Jane shake her hair free!






Hazell does his digging though and finds out that Jane isn't as tough as she appears. She's a coke addict whose child died in the car accident and her marriage broke down as a result. He becomes convinced that she's obsessed with this switched at birth theory and will do anything to have a child of her own once more. 





Cue Jane stealing the young girl in the sinister and scary climax! Thankfully Hazell arrives on the scene and retrieves the girl for her parents, but there's tears before bedtime for Jane.






Hokey accent aside (and as I say, at least it was rather intentional) this is a great role for Jane which shows her range rather well and I liked the touch of having her hide behind things like big sunglasses, headscarves and turbans - all very tacky yet delightfully 70s. I'm sure too that her guest role helped boost Hazell's debut and captured the public's attention.